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Visual homage to the great days of plantation slavery, Bootleg has her chained up, he plays with her clit to control her pleasure, powerless she accepts master's authority, self worth is developed by his judgment, he fucks the pussy owns with that glorious feeling of owning another human being, this Master-Slave (Bootleg/black whore) dialectic tells the story of what were two independent “self-consciousnesses” who encounter one another and engage in the usual Ghetto Gaggers struggle, when Bootleg finds a bitch worthy to be chained up in his barn, the great man embarks on a campaign to demolish her mind to remake her as property, livestock for the slave farm, she swallows his spit to accept his superiority, absolute power over the black female body is historically embedded in race relations in America, on a sunny afternoon after the work's done on the plantation, the master, his sons, and several overseers manhandle t wo young black sla ves to a quiet area, the summer breeze lilts gentle through the sturdy trees, as the blue jays sing sweetly overhead the men drink rum and pin the t wo nubile teens onto the grassy knoll, the beautiful girls, tired from working in the fields, put up little resistance, they are conditioned to accepting their roles, master wants them bred by white men, light skinned piccaninies are valuable merchandise, master owns their bodies and souls, the tight vaginas provide pleasure, the fertile wombs provide financial profit, under the fiery sunset the girls are fucked relentlessly, filled with white man's seed, they learn to spread their legs without any questions for white cock, the men drink, laugh and fuck, it's their right. Isn't it beautiful to see this young bitch fulfilling her maximum potential, black women should not be in positions of power, Michelle should've been a maid, the secret service guys would use her for comfort pussy, dissent would be brutally suppressed, this black female authenticity, she enjoys his cock, feels privileged to swallow Bootleg's spit, relishes being bred by master, she knows her place.
At 0:12 Bootleg begins to play with her clit, chained and powerless: 'Pleasure always means not to think about anything, to forget suffering even where it is shown. Basically it is helplessness. It is flight; not, as is asserted, flight from a wretched reality, but from the last remaining thought of resistance.' Master Bootleg has broken her down, he controls her pleasure, he owns not just her physical body but a consciousness devoid of any dissent, his will defines the criteria of her being, after a short period of heavy pumping where Boots imposes his gruff arousal, he recreates her nascent sexual activity to illicit the memory of the initial descent into whoredom, setting the scene for her happy hopelessness, Boots intends not just breaking this black bitch but to enslave and dominate, the unquestioning response to Bootleg's demands indicates complete control, his spittle is symbolic baptism of ownership.
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